Extreme Book Makeover: Help Me Hook My Reader: Starting on the RUN!

I watched the Oscars last night. (Best. Oscars. Ever. #OscarTwitterPic #PizzaDelivery)

I’d only seen one of the movies in the Best Picture category – Gravity. In fact, I saw it this weekend, in our home theater, where I think I only breathed twice in an hour. Terrifying, in a non-horror-film, wow-I-never-want-to-be-there way.

The story, in a nutshell, is about a scientist who is working on the space shuttle – specifically OUTSIDE the shuttle in a spacewalk – when, due to a crazy set of circumstances — she gets untethered and thrown into space. Her quest is to somehow get back to earth.

It’s an amazing movie – the special effects will blow your mind.

And, it’s a great example of starting a movie with just the right amount of PIPE.

Pipe is the distance between the first sentence and the Noble Quest. As an author, you’re opening the faucet of your story, and the pipe is how long it takes for it to start spilling out. The shorter the pipe, the sooner your reader receives the benefit of the story.

However, many authors suffer from Too Much Pipe Syndrome, or the belief that they must tell their reader everything about their main character before the story starts for the reader to enjoy the story. Another way to put it is they start their story way too early.

Help! How do I make my reader care?

I sat on the tarmac on my way to Florida for five hours last week (#IloveMinnesotaweather), and while we were waiting, I stirred up a conversation with my seatmate.

“What do you do for a living?”  I asked.

“I break into building to check their security.”

#Cool!

Poor guy suddenly discovered the dangers of sitting next to a novelist. By the time the plane took off, we’d plotted a story about a man living two different lives – a spy living in suburbia, posing as a regular guy.

Then came the moment when we had to figure out the first scene.  “We need to make him relatable,” I said to 24B.  “Someone who the reader can relate to.”

“Why?” 24B asked. “He’s not a regular guy.”

Crazy Reindeer Specials from My Book Therapy!

Santa’s Reindeer have taken over My Book Therapy!
It finally happened.
The Reindeer have had it with Santa getting all the glory. We all knew the inevitability of the revolt after Dasher demanded his own Sugar Cookie break over Finland. And then Vixen said she absolutely, “wouldn’t fly over Prague without a mint-hot cocoa.”
The source of their discontent? Santa’s sack of goodies.

“We’re the ones pulling the sleigh. Why does he get to distribute all the gifts?” Prancer said on the eve of the takeover.

The Reindeer assumed control of the MBT Warehouse during Thanksgiving, sneaking in under cover of night, cloaked as Moose. (“After all, people confuse us all the time,” Comet said in an cell-phone conversation from inside the MBT HQ)

And now, they’re offering MBT Bundles of Reindeer Specials at CRAZY prices.

And giving away FREE STUFF!

With these kinds of deals, it’s clear the Reindeer have lost their minds!

But, until MBT re-assumes control of inventory, it’s your chance to take advantage of these Crazy Reindeer Specials for Writers.

The culprits and their bundle offers are listed below…

(and Visit the MBT Marketplace to catch all their latest craziness!)

Keep on writing, keep on writing

I wrote a novella last week. 31, 160 words. That’s over 5K a day. Now, here’s what we all have to keep in mind – many of these words will have to be rewritten or deleted. I will have to go scene by scene and make sure I’ve inserted storyworld, and the 5 Ws to anchor the scene. I’ll have to ask what the main emotion of the scene is, and how to strengthen it. I’ll have to tighten my writing, make it clearer, make sure I’m not overwriting.

I’ll have to make sure I am telling the story between the quotes, and that I am wrapping up my dialogue with the right meaningful action and body language, adding zingers.

And, I’ll have to make sure I all the ingredients of the Scene Tension Equation.

All these things are in my brain as I’m writing, trust me. But, if I want to forget ahead and give myself something to work with, then I have to be like Dori in Finding Nemo.

Don’t look back. Forget everything but my goal….reaching the end. (or, P Sherman, 42 Wallaby Way)

But how do we keep that focus? I know it can be hard, because even in the middle of a scene you suddenly think: WAIT! I just came up with something BRILLIANT and I need to add it into chapter 3!