by Patricia Bradley, @PTBradley1 You know what I’m talking about when I say Too Stupid to Live—cue the dark music, there’s a serial killer on the loose and the heroine hears …
Letting Our Characters “Get Tired of It”
Last weekend was one of those longtime-coming-but-so-worth-the-wait kind of events. After 18 months of planning, best-selling author Rachel Hauck spoke at Write in the Springs, the annual conference for the Colorado …
If You Give a Character a Lie …
If You Give a Character a Lie … If you give a character a Lie that is tied to some Dark Moment in his past … he is going to …
Using Body Language to Write Stronger Characters
Sometimes I look up from writing a scene at my computer and my family is watching me. One or two of them look concerned. Another one is muffling laughter behind …
Solving the Problem of a Paralyzing Premise
I was thrilled my publisher wanted a third book from me – and just a bit proud that the pitch I’d worked so hard on had done just what I’d hoped it would do: grabbed my editors’ attention – and landed me another book contract.
But what’s that Proverb about stumbling over pride? Yep, I fell flat on my face a few months later. That oh-so intriguing one sentence pitch had me in a headlock and refused to give up and say “Uncle,” so that I could wrestle it into a synopsis, much less a real story.
Beyond that single sentence I had a whole lot of nothing.