How to Show and When to Tell

I hope you’re busy writing your amazing works of NaNoWriMo fiction!

I thought, as we dive in, it might help to understand what editors mean by “Show, Don’t Tell.” Listen, I know it can be confusing. Especially since there is not only mis-information and bad teaching out there, but also because there IS a time Tell!

Showing, not Telling is not about describing everything that happens. And Telling has nothing to do with narrative and backstory. Narrative and backstory (and even action) get a bad rap because often, during narrative, backstory and action, authors drop into “telling” without realizing it. Describing ACTION by saying “John shot Bill.” is not telling. It’s action. But adding: “John felt sorry when he shot Bill,” would be telling.

See, I know. Confusing.

Here’s the bottom line: Showing is about helping the reader experience the emotions of the character. Showing brings us into the mind and heart of the character to understand their emotional journey.

Here’s how: If you say, ‘She felt grief,’ or even, and this is more common, ‘Grief overtook her’ you are not just telling us what emotion she’s feeling, but you’re pinpointing one emotion your reader must feel with the character. Instead, show us how despair makes her feel through how she acts, what she thinks, what she says and how she sees her world. Let us into your character’s head.

Telling is when you tell someone how to feel. It relates to the emotion to the story, not the narrative, backstory and action.

When an Author’s Backstory Sparks a Story Idea

At the very first My Book Therapy (MBT) Storycrafters Retreat in 2010, Susie May Warren had the attendees complete a seemingly simple – and insignificant – exercise on page nine of our workbooks.

I kept that workbook, the one with the working title of my manuscript scribbled inside the front cover: Wish You Were Here. Thanks to that weekend and how it changed my life and my writing, Wish You Were Here became a “real book” in 2012.

And I refer back to that seemingly insignificant exercise on page nine time and time again.

You Don’t Have To Do It Alone – Brainstorming Help!

As writer’s we are constantly learning new things to improve our craft. That being said, brainstorming is one of the harder aspects of the writing journey for me. It’s amazing, I can help other writers with plotting but when it comes to mine, I get stuck. I was astounded (and greatly relieved) to find out I could get help.

Last week I met with my craft buddies and we had a fantastic time brainstorming. Not only did we flesh out our next novel but Gabrielle Meyer was an awesome hostess. She planned the schedule and created the perfect atmosphere of brainstorming and relaxing. For the most part, we worked in the mornings and played in the afternoons. Listen, if I didn’t love where I lived, I would move to Little Falls Minnesota. Thank you Gabrielle!

If you want to brainstorm with a group, here are a few tips.

Listen to me! Or: The non-list-making, non-threatening, let’s-have-a-cup-of-coffee-and-chat method of creating living breathing characters.

Christian books should reach beyond our hearts to touch our souls. Regardless of the genre — suspense, romance, historical, or chick lit — stories can touch our lives, even change us. And, while plot lines are important…it is characters that drive stories. When we think of the Hunt for Red October, we think of Jack Ryan. When we think of the Fugitive, we think of Dr. Richard Kimball. Characters drive the plot. So, how do we create characters that live and breathe and drive a story into our hearts?

Throw away the list!

When I began writing, I did what seemed logical – I filled out character lists. Answered hundreds of questions. But my characters still felt flat, and more than that, their actions, dialogue and conflict didn’t seem to connect. At the time, I was home schooling, and as I looked at developing my children’s self-esteem, it hit me. People reveal themselves from the inside out, based on how they see themselves, or want others to see them. And discovering how a character defines himself is the key to making them come alive.