Self Therapy: What’s Important To A Scene?

Back from 12 days on the road, visiting family and friends, I sat down to work on Love Starts With Elle, my work in progress. (WIP for those who are new to this game.)

I started editing chapter one, a chapter I’d edited many times, but as I worked it yesterday, I didn’t like it. Before vacation I did, so what happened?

Panic.

I felt the stakes weren’t high enough. Was the opening hook strong? Did Elle seem too sanguine? I pondered these questions while walking my dog, Pal, later in the evening.

I was going to revamp my whole story, take my “soft” opening and drive some hard core plot point into it.

Yet, I realized, stakes are raised gradually. Since this is a love story, I needed to set the stage. My heroine has every thing she wants in life: a growing art gallery, a handsome boyfriend, a cozy island cottage.

Gradually, I want to take away these things from her. If I start the story with Elle losing her boyfriend, there won’t be enough sympathy for her. Why do we care?

If we don’t see her success with her gallery, why would the reader care when she has to choose between love and her career?

While we want every scene to be as potent as possible, we have to keep the over all story question in mind. For me, it’s how God rebuilds Elle’s life after she’s lost two of the most important things. So each scene should set the stage for Elle’s goals and dreams, and how life doesn’t always turn out like she planned.

I determined to keep the opening scene, but to shore it up. Taking from the lesson on secondary characters, I combined two art patrons I had in chapter one. I realized the information I needed delivered would work well from one character and the second wasn’t needed.

Here are a few items to keep in mind when constructing a scene:

1. Setting. Let the reader know the surroundings.
2. Scene goal. What are you trying to accomplish with the scene? Make sure it points to a story question.
3. Combine characters. One or two per scene is enough – as a rule. But rules can be bent. Just make sure.
4. Raise the stakes gradually, but keep moving your protagonist toward disaster.
5. Keep writing!

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Comments 2

  1. Hey~
    I just wanted to let you know what a huge help and blessing this blog has been, and I’m pretty new here.

    This post about what’s important to a scene is ‘exactly what the doctor ordred’ for me today. After getting some critiques and helpful suggestions on a scene I recently submitted at The Ink’s Not Dry Blog, I got panicked and now I’m stuck on a new scene I thought I knew how to write. Scene or summary? Action-reaction or setup-deepening-payoff?

    I know what basic, chronological events need to take place in my entire story, and what the inner conflict of the two main characters are, but I am learning that I don’t know what makes for a ‘whole’ or eventful scene, so the reader might say “who cares?”

    I’m working on it, and this post will really help. I’m pasting it into my file of notes on constsructing a scene. It’s still sort of Greek to me, but I’m trying to get it!

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