How to Show and When to Tell

I hope you’re busy writing your amazing works of NaNoWriMo fiction!

I thought, as we dive in, it might help to understand what editors mean by “Show, Don’t Tell.” Listen, I know it can be confusing. Especially since there is not only mis-information and bad teaching out there, but also because there IS a time Tell!

Showing, not Telling is not about describing everything that happens. And Telling has nothing to do with narrative and backstory. Narrative and backstory (and even action) get a bad rap because often, during narrative, backstory and action, authors drop into “telling” without realizing it. Describing ACTION by saying “John shot Bill.” is not telling. It’s action. But adding: “John felt sorry when he shot Bill,” would be telling.

See, I know. Confusing.

Here’s the bottom line: Showing is about helping the reader experience the emotions of the character. Showing brings us into the mind and heart of the character to understand their emotional journey.

Here’s how: If you say, ‘She felt grief,’ or even, and this is more common, ‘Grief overtook her’ you are not just telling us what emotion she’s feeling, but you’re pinpointing one emotion your reader must feel with the character. Instead, show us how despair makes her feel through how she acts, what she thinks, what she says and how she sees her world. Let us into your character’s head.

Telling is when you tell someone how to feel. It relates to the emotion to the story, not the narrative, backstory and action.

Rachel Hauck, Susan May Warren, My Book Therapy

NaNoWriMo Success Tip: How to balance your time!

Listen, I know you’re all swamped with working, running a household and writing NaNo. You probably don’t even have time to read this blog. But in the chance you do, I thought I’d give you a few tips that help me juggle my life as MBT Head Coach, being a sports mom and writing.

Establish a set time every day, or every other day to write and keep this time sacred. Block it out on your calendar. If you only write “when you can,” then there will always be things that will get in the way…from walking the dog to making chocolate chip cookies… Set a time, and keep that appointment with yourself, telling yourself you are investing in your dreams.
Keep a writing Journal and every day log what you have done, and your goals for the next day. You will access different sides of your brain as you are writing than you do when you are working, and instead of always keeping both sides active, if you write down where you were and where you want to go each day, you can let your creative side “rest” while you are at work, knowing you can pick right back up when you return to your writing enclave.

Listen to me! Or: The non-list-making, non-threatening, let’s-have-a-cup-of-coffee-and-chat method of creating living breathing characters.

Christian books should reach beyond our hearts to touch our souls. Regardless of the genre — suspense, romance, historical, or chick lit — stories can touch our lives, even change us. And, while plot lines are important…it is characters that drive stories. When we think of the Hunt for Red October, we think of Jack Ryan. When we think of the Fugitive, we think of Dr. Richard Kimball. Characters drive the plot. So, how do we create characters that live and breathe and drive a story into our hearts?

Throw away the list!

When I began writing, I did what seemed logical – I filled out character lists. Answered hundreds of questions. But my characters still felt flat, and more than that, their actions, dialogue and conflict didn’t seem to connect. At the time, I was home schooling, and as I looked at developing my children’s self-esteem, it hit me. People reveal themselves from the inside out, based on how they see themselves, or want others to see them. And discovering how a character defines himself is the key to making them come alive.

Saggy Scene Series: The ONE Easy Trick to creating Scene Tension

Build in a Fear of Failure!

I am a closet SciFi junkie, and my current love affair is Falling Skies. I’ve been with them from the beginning and to be honest, I love the show not for the Sci-Fi, but for the characters. In short, I love the hero, and his three sons, and want them to survive.

I care about these Sympathetic Characters.

Which is why I found myself at the edge of my seat during last week’s episode. The hero, Tom Mason (played by Noah Wylie) and his oldest son, Ben, are trapped in a prison camp and need to escape. They’ve devised a wild plan to break through the electrical walls that holds everyone prisoner.

I realized the episode was fantastic when I found myself on my feet at the end of it.

Here’s the play of events – the hero has to distract the bad guys (skitters, or very large alien bugs) and get them to a building they’ve rigged to blow. In the meantime, Ben has to gather up all the prisoners and get them into the tunnels near their escape route. Finally, a third group, incidentally, a motley crew of soldiers who hate each other, has to climb over the wall with this homemade electric-repelling suit to get to the power supply and take down the electric wall.

If you are a fan and haven’t seen the episode, stop reading here.

The plan begins perfectly – Tom kills a guard, which brings out a horde of bugs, who chase him (he’s on a motorcycle) through the city, away from the escapees.