5 Truths to Free Your Inner Writer

By Michelle Griep, @MichelleGriep

I’ve been writing for about twenty years now and it’s taken me this long to figure something out. Something I should’ve learned a long time ago. Are you ready for this? Because it’s mind blowing.

Photo by Aditya Saxena on Unsplash

You don’t have to write like anybody else. 

You can be you with your words and your stories and that’s okay.

Yeah, I know what you’re thinking. “Seriously? It took you two whole decades to figure that out? Sheesh. Slow learner or what?”

But it’s not like that. Of course I knew, just like everyone, that you must have a unique voice to your writing. That’s what sets your writing apart. Yet I always aspired to be like my favorite authors, creating stories they would approve of, mimicking their style, and that is so restrictive. No, it’s worse. It chokes the life out of your own writing.

And if you sit down to play the comparison game, you will lose. Every time.

So here’s some free advice: don’t do that. Easier said than done, I know, but here are some affirmations for you to print out on sticky notes and slap on your wall. Hopefully it will take less than twenty years for you to be freed from the bondage of conformance.

1. Write like you think.

Don’t write how you think you should.

2. Embrace your passions.

Don’t embrace what you think are marketable passions.

3. Everyone’s voice has value.

Your voice is as important as any other authors, and their voice is as important as yours, leaving no space for pride or degradation.

4. Creation is not right or wrong, it just is.

There isn’t a correct way to tell a story nor an absolute wrong way. A riveting story is riveting no matter the style it’s told in.

5. The art you create is as unique as yourself.

Art is subjective. Some will love it. Others hate it. Your goal is to create, not to get everyone to like what you create.

Sure, these all seem like common sense ideas, and they are, but agreeing with them and believing them are two different things. There is freedom in believing. Freefall into it. You won’t be sorry.

 


The House at the End of the Moor

What Can a London Opera Star and an Escaped Dartmoor Prisoner Have in Common?

Opera star Maggie Lee escapes her opulent lifestyle when threatened by a powerful politician who aims to ruin her life. She runs off to the wilds of the moors to live in anonymity. All that changes the day she discovers a half-dead man near her house. Escaped convict Oliver Ward is on the run to prove his innocence, until he gets hurt and is taken in by Maggie. He discovers some jewels in her possession—the very same jewels that got him convicted. Together they hatch a plan to return the jewels, clearing Oliver’s name and hopefully maintaining Maggie’s anonymity.

Michelle Griep’s been writing since she first discovered blank wall space and Crayolas. She is the author of historical romances: The Captured Bride, The Innkeeper’s Daughter, 12 Days at Bleakly Manor, The Captive Heart, Brentwood’s Ward, and A Heart Deceived, but also leaped the historical fence into the realm of contemporary with the zany romantic mystery Out of the Frying Pan. If you’d like to keep up with her escapades, find her at www.michellegriep.com or stalk her on FacebookTwitter, or Pinterest.

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