Self Therapy: Simplify and Focus!

Why can’t readers just be inside my brain? That’s the problem, isn’t it? Trying to help the reader grasp a scene without giving them too little information, or also overwhelming them. So often, I have my cast of characters, and I want to throw everybody into the first scene, treating them as old friends (which they are to me), without remembering that my reader hasn’t met them yet. Here’s a scene of my recent book, Reclaiming Nick. I wanted to portray Nick as the hero he is…but with all the players in the scene, it became clunky, and hard for the reader to follow. Let’s take a look. (My comments are in italics)

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When the lanky form of Saul Lovell walked into the Watering Hole Café, dragging with him the remnants of the April chill, Nick Noble knew that his last hope of redemption had died. (SMW: I don’t know why, but I felt that this sentence needed a beat. Also, I wanted to pinpoint what time of year – early April or late April. )

Nick didn’t have time to deal with the arrival of his father’s lawyer. Not with one fist wrapped in the collar of Stinky Jim’s (SMW: Stinky Jim sounds like a caricature, let’s dump that) duster and a forearm pinning his cohort Rusty to the wall.

“We were simply offering to buy her lunch,” Rusty snarled.
“I’m not stupid. I know exactly what you were offering.” Nick motioned for the girl (SMW: because there are so many names, esp. in this first scene, let’s focus on just the main players) to move away from the pair as he upped his pressure against Rusty’s Adam’s apple. “It’s okay, honey. They’re just fresh from riding fence. You go home now and say hi to your folks from me.”

He didn’t comment on her low-cut shirt or the way it seemed to have material missing at the waistline, either. And a run into Miles City (SMW: ditto on all the places referenced in the first chapter. Focus on where they are, and why it is important) for looser fitting pants might be in order. He’d have to swing by the Carlisle place tonight, warn Erma and Bill (SMW: cut out this name, and just put in the place holder – her parents) about their daughter’s recent bent toward trouble.

Only, that wasn’t his job anymore, was it? He had to stop thinking like a cop before it landed him into more hot water.

She glanced at Rusty, as if hurt, then turned on her boot heel and flounced toward the door, followed by her best friend, blonde and dangerous Carla Wainwright. (again, cut out the names to make it smoother)

Nick didn’t like the way Stinky watched them leave. “If I see you within ten feet of them, I’ll run you all the way back to Rapid City.” (SMW: Now I’ve mentioned both Miles City AND Rapid City…and they’re actually in a town called Wellesly! Too confusing)
Stinky shoved him away, and Nick let go, not interested in swallowing one more whiff of day-old whiskey breath.

Now, let’s look at the changes I made to smooth it out:

When the lanky form of Saul Lovell walked into the Watering Hole Café, dragging with him the remnants of the late April chill, Nick Noble knew that his last hope of redemption had died.

Nick didn’t have time to deal with the arrival of his father’s lawyer. Not with one fist wrapped in the collar of Jim’s duster and a forearm pinning his cohort Rusty to the wall.
“We were simply offering to buy her lunch,” Rusty snarled.

“I’m not stupid. I know exactly what you were offering.” Nick motioned for the girl to move away from the pair as he upped his pressure against Rusty’s Adam’s apple. “It’s okay, honey. They’re just fresh from riding fence. You go home now and say hi to your folks from me.”

He didn’t comment on her low-cut shirt or the way it seemed to have material missing at the waistline, either. And a run into Miles City three hours south for looser fitting pants might be in order. He’d have to swing by her parents’ place after closing tonight to warn them of their daughter’s recent bent toward trouble.

Only, that wasn’t his job anymore, was it? He had to stop thinking like a cop before it landed him into more hot water.

She glanced at Rusty, as if hurt, then turned on her boot heel and flounced toward the door, followed by her blonde best friend.

Nick didn’t like the way Stinky watched them leave. “If I see you within ten feet of them, I’ll run you all the way back to the border.”

Better, huh? Rule of thumb – only name the characters and places essential to the scene, streamlining it so that readers can capture the conflict, and aren’t bogged down on names that they will only forget. (Because the point is for them to remember — the hero!)

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Comments 3

  1. The only question I would have, as a reader, would be who’s Stinky? Jim or Rusty? If they don’t have much a role beyond this scene, would it be better to have used the actual name for clarity? Is it necessary to know that one of them has a nickname?

  2. Great question, Patricia! The reason I left Jim and Rusty in was because, through the eyes of Nick, they would have identities (as would, of course the others). Then it became an issue of technicalities. I tried it just naming them as “a couple cowboys” but because they had dialogue, it became clunky. So naming them actually streamlined THAT part, and since I was able to take out the other names, it made it easy enough to read that I was able to keep them in. I think it’s wise to TRY it the other way, and see if it works…and if not, slowly add information back in. Thanks for your question!

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